One job. Done right.

Adjust phase without changing gain. Helps fine-tune the relationship between mics in multi-mic setups, improving alignment, focus and cohesion without EQ.

A layered stereo chorus that separates width, thickness and motion. Make mono or stereo sources wider, denser and more alive while keeping the center firmly in place.

One Wear knob moves tone, saturation, stereo width, hiss, crackle, pops, wow, and flutter together — from a little dust to a seriously beat-up pressing.

One knob opens up the stereo field while keeping the center solid and the low end focused. Spread synths, pads and overheads as far as you like — without the phase problems.

Bear tracks single-note material and moves a resonant EQ peak with the line, creating a slow, wah-like tonal shift that follows what you play.

Feed Evil Clown a sound and it comes back as a broken, possessed machine: rasping body, unstable pitch movement and dissonant voices, all derived from your source.

A gate for guitar, bass and other stringed instruments. DeJunk keeps the playing and cuts the scrapes, knocks and handling noise that ordinary level-based gates often miss.

Automatic restoration for short hard-clipped peaks. UnClip reconstructs damaged transient shapes while leaving the surrounding clean samples untouched.

A stereo delay that spreads outward as the repeats build. Three controls handle the mix, timing and the shape of the widening echo trail.