Places

Make your notes purr.

Purrenator gives held notes a warm, growling voice that swells in as they ring. The purr follows bends and vibrato, and steps aside for fast runs and chords. Shaped from your original signal, it adds a new layer of character while keeping your tone intact. Just drop it after your amp or amp sim and let your notes come alive.

Twelve spaces. One simple setup.

Places is an algorithmic reverb built around twelve distinct spaces — six imagined worlds and six familiar rooms, halls and plates. Pick a place, shape its character with REVERB, then set MIX and PRE-DELAY. One simple interface, a dozen very different ways to put a sound somewhere else.

Echoes that spread outward.

Widelay is a stereo delay that builds width along the echo trail. As repeats are added, they spread progressively outward across the stereo field instead of simply receding into the background. MIX, TIME and DELAY keep the whole effect to three controls.

Repair peaks that hit the ceiling.

UnClip repairs short peaks damaged by hard digital clipping. It detects flat-topped overloads, reconstructs a plausible waveform through the damaged area, and changes only the samples it identifies as clipped. There is no threshold or repair amount to set — insert it on the damaged track, create output headroom if needed, and let it work.

Keep the note. Lose the junk.

DeJunk is a gate that listens for what a sound is, not just how loud it is. It was designed with recorded distorted guitar in mind, but works just as well on clean electric guitar, acoustic guitar, bass, and other stringed instruments. Instead of relying on level alone, it judges whether the signal looks more like playing or junk, so loud scrapes and knocks can stay out without forcing you to set the gate high enough to cut into quieter notes. One CLEAN control sets how strict it should be.

Turn sound into broken machinery.

Evil Clown turns any source into the broken machinery of a possessed sideshow. SNARL gives it a rasping distorted body, LURCH makes the motor sag and wobble, and CURSE introduces shifting dissonance and possession events. Three controls shape one coherent machine from warped and unstable to genuinely hostile.

Give every lead note a voice.

Bear is a pitch-tracking resonant EQ for monophonic sources, voiced to shine on distorted lead guitar. It moves a narrow EQ peak with the note, creating a slow, wah-like shift in tone that follows what you play. One Boost knob sets how strongly the resonance comes through.

More width. Less fiddling.

A mid/side widener that opens up the stereo field while keeping the low end centered and the mix mono-compatible. Spread synths, pads and overheads as far as you like — without the phase problems. Three Source modes tune the ride for mono tracks, stereo material, or buses, with a creative upper range when you want more size and space.

From clean to cooked in one knob.

Broken Record turns clean digital audio into worn-record character with one Wear control. Tone, saturation, stereo width, surface noise, crackle, pops, wow, and flutter move together along a single musical curve. Keep it dusty and subtle, or push it into warped, beat-up territory.

Wide, thick, alive — center intact.

Plumper is a triple chorus built around three distinct engines — Chorus, Ensemble and Space — for turning mono or stereo sources into a wide, rich and moving field without losing the center. Each engine brings its own kind of movement, thickness and dimension, while Motion animates the combined wet field. Push all three and the sound gets bigger, deeper and more alive.

Precise Phase Rotation

Adjust phase without changing gain. This broadband phase rotator helps fine-tune the relationship between mics in multi-mic setups, improving alignment, focus and cohesion without EQ. It can also help reduce cancellations, reshape peaks and tighten low-end response.